A concept album about driving the long, lonesome highway and touring in a rock'n'roll band, this disc is packed with winning songs. The Marneys must have learned the ropes during that stretch, since they opened their own club -- Marney's -- in , settling in as regional entertainers on the Jackson scene. Shell Bowling "Shell's Country Drifters: The record includes two songs sung by bassist David Jones, as well as one written by Ann Allman who sings on the album, along with Ms. It kicks off with the title track, a folk-ish gospel song that makes you think, uh-oh, it's gonna be one of those albums, but soon shifts into an otherwise exclusively secular mode.
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A nice early milestone in the evolution of mainstream country-rock. The record includes two songs sung by bassist David Jones, as well as one written by Ann Allman who sings on the album, along with Ms. Not in front of a camera. Wouldn't say there's much to recommend this one, really. Well, I guess somebody thought that Barnett had paid enough dues to merit the deluxe treatment
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There's no date on the album, but I'm guessing '75 based on a reference to an award somebody won in October, ' Briggs was an appealing performer, with an unpolished vocal style reminiscent, perhaps of Roger Miller or Bobby Bare. One of the performers is early '80s country crooner Leon Raines, who recorded one major-label album and had a string of mildly successful singles charting in the country Back Forty; the other artists were more obscure: I guess this has been reissued on CD, though the original LP is worth tracking down just to enjoy the hilarious "board game" drawing and text that Eric von Schmidt designed for the inside of the gatefold sleeve. They bought the Quarter Horse Inn in , after Mr.
Worth checking out, especially for the wealth of original material. A nice indie twang set from the heartland This album was made with Bill Cunningham and J. Ladies with an attitude Fellows that were in the mood Don't just stand there, let's get to it Strike a pose, there's nothing to it. Yes, there's bats in my belfry. Better a bone Don't even begin. This was an early '70s album, featuring covers of hits such as Mel Tillis's "Commercial Affection" and "Green Green Grass Of Home," while also dipping deep into older country traditions.